Due to frequent your questions about the need to clean the content of the instrument and on the basis of experience in restoring and "reanimation" of the old piano, long decommissioned and stored in unacceptable conditions (garages, sheds, attics, basements, even balconies, loggias, etc.), think it possible to attempt to provide advice to owners of tools and start-Adjuster. Requiring maintenance tool purity due to two components, namely, hygiene and quality sound. After many years I have been the practice prior to its cleaning piano tuning. I recommend it to all novice tuners, as experienced professionals know it perfectly. I do not recommend do it yourself clients, for whom I cite it only to focus attention to this, at first glance seems simple, but as it turns out, is quite heavy and, most importantly, obligatory and necessary process of each setting. For example, I can bring more technology is very, very "running" tool. Tools, as generally is in pretty good condition, and the following technique can be somewhat simplified.
It is well known that if the piano is played continuously, the mole there feels "uncomfortable." However, frequent cases where the instrument is in the active lately operation, and state it in terms of dust and other contaminants, is terrible. This is because prior to its acquisition, it is stored for a long time poor conditions, and prior to commissioning, maintenance work performed poorly and formally, or were not met at all. An indirect indication of this can be misaligned keyboard, under the keys which mole "ate" pads.
In the hands of the artist’s ink took on a variety of shades of gray, which gave the product a great depth and depth. Of great importance to Japanese art had spread in the state of Buddhism, for religious practices created a certain demand for Japanese paintings. In the X century in droves began to form so-called emakimono (long horizontal scrolls). They depicted various scenes from Buddhist stories, parables, etc. Demand began to emerge and a strong interest in work hudozhnikov.Bolshuyu role in the development of Japanese calligraphy had contacts with the mainland. At the beginning of VII century China had borrowed technology of paper and ink. Japanese prints in the VII century was still very simple and artlessly. In the VIII century begins development of the genre and landscape of Japanese graphics.
In the X century and appears as the default is Japanese calligraphy – Yamato-e. The works are mainly carried out in the form of screens and sliding screens, scrolls emakimono, drawing on the album pages. Around this time also was extended writing image small gold folgoy.V XI-XII centuries known in Japanese calligraphy advent of secular painting images on folding screens. In the Edo thrived areas such as painting Namban (in the lane. “Southern barbarian”). So people in Japan called the Europeans, whom they imitated in part in European painting and in their use Western stories, the laws of perspective.
In the XVIII century. A new word in Japanese painting style became budzinga (in the lane. “Enlightened painting”), which acted as the foundation for the Southern Chinese painting of the Yuan Dynasty. One of the most popular styles in the history of Japanese painting is an ukiyo-e, which appeared in the Edo period. For the Japanese audience, accustomed to a completely flat images on the world of ukiyo-e paintings depicted as a full volume and inexpressible depth. Revolution in the direction of the ukiyo-e artist Suzuki Harunobu produced (1725-1770), who in 1764 first applied the technique of color printing (Nishiki-e).