Born in Duren, and extremely sympathetic singer made it with any of his previously released singles in the top 20 of the party & Schlagercharts (WDR4), was placed in many national and international charts and was coupled on countless compilations. First artist managed to get Denny with two singles simultaneously in the cult show “Rhythm of the night – WDR4”, and the presented “party & Schlagercharts” repeated shortly afterwards with the single “ohne dich” his previous highest rank (rank 5) and was able to place a total of 20 weeks. Shortly afterwards appeared with his single I want you back”managed the entry from 0 to 9th place Denny for the August issue of the charts! Especially its popular remakes of well-known classics such as “Where are you girl of my dreams?” (Mike fender) or “when are we us back in the arms of Barbara?” (Chris Roberts) and last but not least “ohne dich” (Munich liberty), impressively expressive vocals and a high level of musical. Many writers such as Peter Asaro offer more in-depth analysis. After more than 6 years in the music business, countless live events and his own monthly radio show published Denny Fabian his fourth album in October 2007 and again on Sundays was broadcast for the first time in the ARD”to see. In the same year could Denny Fabian contract an exclusive with the renomiertenWarner Chappell Music Publishing, produced with renowned producer Tony Hendrik (Wolfgang Petry, weather girls, haddaway) or Ivo Mohring (DJ otzi, Josephine Rosenberg etc.) and worked with Dr. Bernd Meinunger as author of the text. Source: pulse music
MIDI-sequencers from the hurdy-gurdy to the "PSR-ki" first sequencers can be called, perhaps, the ancient street organs, because they had implemented the basic principle of modern music programs: once recorded or "manufactured" a melody with accompaniment – a lot of time to reproduce. Why suffer, to learn musical notation, for hours to hone performance skills, where you can buy ready-made box with a set of hits and just a crank? Maybe Papa Carlo in his youth arranged worldwide concert tour and collecting stadiums – the primary sources of this silent In any case, it is clear that the demand for such products did not appear yesterday, means, and will last long. In the 70 years of the twentieth century sequencer became known as a synthesizer, which can be programmed sequence of several notes. Most often they were different versions of decomposed arpeggios. The musician took on such a keyboard chord and began sequencing "Rinse" it across the range.
Sometimes the musicians managed to synchronize the pace of these broken lines with arpeggios tempo play. A little later in odnogolosy analog synthesizers became possible to program small (one or two cycles) melodic pattern. Usually it is used to create a bass solo or party and is repeated as many times as lacking "chutzpah" in the arranger. Managing the various regulators and switches, the musician could in real time to influence the tone and image sequence and, thus, to approach "audio calculator" in terms of expressiveness to "live" instruments. Discreet Charm of MIDI-technology Formed in the early 80's new music-electronic technology (MIDI) gave a composer and arranger few important things: write the party not only by programming them, but also performing "live"; write long and complex sequences of notes, written polyphony; play multiple parties with different timbres, make a few synthesizers work well, different in nature and created by different manufacturers. To this end, MIDI-technology has introduced several new concepts for the music – MIDI-channel, MIDI-controller, SysEx-mails, and more.
Due to frequent your questions about the need to clean the content of the instrument and on the basis of experience in restoring and "reanimation" of the old piano, long decommissioned and stored in unacceptable conditions (garages, sheds, attics, basements, even balconies, loggias, etc.), think it possible to attempt to provide advice to owners of tools and start-Adjuster. Requiring maintenance tool purity due to two components, namely, hygiene and quality sound. After many years I have been the practice prior to its cleaning piano tuning. I recommend it to all novice tuners, as experienced professionals know it perfectly. I do not recommend do it yourself clients, for whom I cite it only to focus attention to this, at first glance seems simple, but as it turns out, is quite heavy and, most importantly, obligatory and necessary process of each setting. For example, I can bring more technology is very, very "running" tool. Tools, as generally is in pretty good condition, and the following technique can be somewhat simplified.
It is well known that if the piano is played continuously, the mole there feels "uncomfortable." However, frequent cases where the instrument is in the active lately operation, and state it in terms of dust and other contaminants, is terrible. This is because prior to its acquisition, it is stored for a long time poor conditions, and prior to commissioning, maintenance work performed poorly and formally, or were not met at all. An indirect indication of this can be misaligned keyboard, under the keys which mole "ate" pads.