We can unequivocally state that, being the art the way of consideration of the things independent of the beginning of reason, that is, half on adequate exposition of the ideas, this of metaphysics depends not only, if in the quality of expositor, of it saw by which the idea at last is communicated, also it depends necessarily on a science in conformity with this or that assumed idea then as its subject. It properly does not have art in case that this does not communicate, in excellent way, the idea reached for its genius. Therefore, the necessity logical of this is evident to present itself in such a way for the face of the norms when of the idea for assumed it as legitimate subject. ' ' The aesthetic one teaches the way by which the effect of the beauty is reached, of the rules to the arts, according to which must create 11 the beauty. The metaphysics of the beauty, however, investigates the close essence of the beauty, as much in what it says respect to the citizen that possesss the sensation of the beautiful one when to the object that ocasiona' ' (Schopenhauer, Arthur. Metaphysics of the Beauty. Unesp.
2003 – 24). Of the Genius and the Genius Schopenhauer in says that ' to them; ' but for the pure contemplation to become fluid itself completely in the object it is that the ideas are apprehended. The prominent capacity for this is the genius, from which the authentic works of art only can originate. All contemplation demands pure objective disposal, that is, complete esquecimento of the proper person and its relations; therefore, the genius nothing is seno the objetividade most perfect, that is, objective orientation of the spirit (…) ' ' (Schopenhauer, Arthur. Metaphysics of the Beauty. Unesp. 2003 – 61). Therefore, while the genius is the capacity of contemplation and intuition of the ideas, the genius is the purely objective disposal of the human spirit, that, when annulling itself while individual, allows the genius to promote itself in full exercise.